One of jazz’s most tragically overlooked geniuses, Herbie Nichols was a highly original piano stylist and a composer of tremendous imagination and eclecticism. He wasn’t known widely enough to exert much influence in either department, but his music eventually attracted a rabid cult following, though not quite the wide exposure it deserved.
Nichols was born January 3, 1919, in New York and began playing piano at age nine, later studying at C.C.N.Y. After serving in World War II, Nichols played with a number of different groups and was in on the ground floor of the bebop scene. However, to pay the bills he later focused on Dixieland ensembles; his own music — a blend of Dixieland, swing, West Indian folk, Monk-like angularity, European classical harmonies via Satie and Bartók, and unorthodox structures — was simply too unclassifiable and complex to make much sense to jazz audiences of the time. Mary Lou Williams was the first to record a Nichols composition — “Stennell,” retitled “Opus Z,” in 1951; yet aside from the song he wrote for Billie Holiday, “Lady Sings the Blues,” none of Nichols’ work got enough attention to really catch on.
He signed with Blue Note and recorded three brilliant piano trio albums from 1955-1956, adding another one for Bethlehem in late 1957. Nichols languished in obscurity after those sessions, though; sadly, just when he was beginning to find a following among several of the new thing’s adventurous, up-and-coming stars, he was stricken with leukemia and died on April 12, 1963. In the years that followed, Nichols became a favorite composer in avant-garde circles, with tributes to his sorely neglected legacy coming from artists like Misha Mengelberg and Roswell Rudd. He also inspired a repertory group, called the Herbie Nichols Project, and most of his recordings were reissued on CD. ~ Steve Huey
Kevin Gerzevitz is a professional musician, composer and teacher based in the San Francisco Bay Area. He frequently performs as jazz organist with B3B4 Organ Jazz Quartet, and with The Patrick Greene Trio, and as pianist with The KG Trio.
Kevin is from Ann Arbor, Michigan. He was a student at the University of Michigan School of Music and studied piano performance, jazz studies, improvisation, and composition.
Upon completing a BMA degree in 1990 with a major in Music Theory and German, he relocated to San Francisco where he has since worked as a freelance pianist, organist, accordionist, composer and teacher.
He attended the San Francisco Orff Course at Mills College from 2003 to 2005 and became certified as a Level III Orff-Schulwerk instructor. Since 2008, he has worked as the Music & Movement Specialist at Pacific Primary Orange Sun School in San Francisco.
Kevin has scored several independent films and has produced music for advertising, web, multimedia and musical theater